The Showstoppers

The Showstoppers
Origin Philadelphia, Pennsylvania, United States
Genres R&B, Soul
Years active 1967-1972
Labels Showtime, Guyden, Heritage, MGM, Beacon.
Past members "Alex" Burke
"Laddie" Burke
Earl Smith
Timmy Smith

The Showstoppers (alternatively The Show Stoppers)[1] was a four-piece African American vocal soul group formed in Philadelphia about 1967.[1] They are best remembered for their 1967 hit, "Ain't Nothin' But a Houseparty",[1] which was the debut release on three record labels: Showtime Records, Heritage Records, and Beacon Records.[2]

History

The Showstoppers was formed about 1967 by brothers, Elec Edward "Alex" Burke (born 16 February 1948 in Philadelphia)[3] and Vladimir H. "Laddie" Burke (born 31 July 1949 in Philadelphia),[4] who were the two oldest of the five younger brothers of Atlantic Record's star Solomon Burke, who joined with fellow Germantown High School students, brothers Earl Smith (born 1949 in Massachusetts) and Timmy Smith (born 1 February 1948 in Boston, Massachusetts).[1][5] The Burke brothers had been in show business since at least 1957 as part of a four-member group with two of their two younger brothers.[6]

"Ain't Nothin' But a House Party" (1967)

After rehearsing under the guidance of Solomon Burke,[1] they modeled themselves initially on The Vibrations.[7] After signing to local Philadelphia label Showtime Records, The Showstoppers had a couple of local hit singles in Philadelphia.[7] Their 1967 hit "Ain't Nothin' But a Houseparty" b/w "What Can a Man Do?" (STR 101),[8] sold well in Pittsburgh, and New York City,[9] and sold about 40,000 copies in Philadelphia, and reached #118 on the Billboard charts on May 27, 1967.[10][11] The session musicians on the song included Carl Chambers, who was later drummer with Gladys Knight & the Pips, and Joe Thomas, who went on to become the guitarist with The Impressions.

By early 1968 Antiguan-born American businessman Milton Samuel,[12][13][14] the head of Beacon Records, a small independent record label started in January 1968 in the Afro-Caribbean London suburb of Willesden,[15] who was later Antigua & Barbuda's Ambassador to the UK and the founder of the Bank of Antigua,[16][17] purchased the UK leasing rights for "Ain't Nothing But a House Party" for only £30.[14] On February 16, 1968, "Ain't Nothing But a House Party" became the first release on Beacon Records,[18][19][20] (giving it its only hit).[1] In March 1968 Samuel and Mike Berry of Apple Records had negotiated a deal for "Ain't Nothing But a House Party" to be released through a newly created Milton Apple Music,[21] but the inability to locate one of The Beatles to approve the deal forced Samuel to make alternate arrangements.[22][23] Initially distributed through the British Independent Record Distributors Network,[15][24] "Ain't Nothing But a House Party" caught on with DJs in the UK, and spent 16 weeks in the charts, debuting at #57 on March 2, 1968,[25] before entering the Top 40 at #38 on March 23, 1968.[26] By the end of March, Samuel organized a British visit for the Showstoppers.[27] The Showstoppers made the first of their three appearances on the British television program Top of the Pops on April 18, 1968. According to one British source, "Ain't Nothing But a House Party" "was played to death and back to life at the Twisted Wheel and Blue Note Club in Manchester",[28] and peaked at #11 on May 4, 1968 in the UK Singles Chart.[29] Later in May 1968 "Ain't Nothin' But a House Party" was released in Germany on Ariola Records and France on Barclay Records, and later released by Beacon in Scandinavia, the Benelux countries, Austria, Italy, Japan and New Zealand.[2]

Jerry J. Ross (born May 1, 1933 in Philadelphia, Pennsylvania),[30][31] the head of newly created Heritage Records, heard about "Ain't Nothin' But a House Party" from Hal Charm, his national promotions director,[30] and decided to buy the master recordings of "Ain't Nothin' But a House Party" by late April 1968, and also signed the Showstoppers to his label, became their manager, and organized MGM to distribute its re-release in the USA.[32] Despite rights being acquired for national release by MGM, it failed to become a national hit,[1] spending 5 weeks in the Billboard Hot 100, peaking at #87 on June 22, 1968.[11][33] It was ranked #20 on the Soul Brothers Top 20 on August 15, 1968.[34]

"Ain't Nothin' But a House Party" was a discothèque hit (#33) in 1971.[35]

Regarded as a Northern soul classic, the song has been covered by The Tremeloes (1968);[36] The Paper Dolls; Cliff Richard on his album Cliff: Live at the Talk of the Town (1970);[37] The J. Geils Band, who had a #2 AOR U.S. hit with it in 1973; and Phil Fearon, who recorded a house music version produced by Stock Aitken Waterman in 1986 that reached #60 in the UK charts.[38][39][40] "Ain't Nothing But a House Party" was covered in 1988 by British "supergroup" The Corporation.

"Eeny Meeny" (1968)

All of The Showstoppers subsequent singles were produced by Indian-British producer Biddu and recorded by Beacon Records in England.[41] The Showstoppers' follow-up single, "Eeny Meeny" b/w "How Easy the Heart Forgets" (Heritage HE 802), was released in September 1968 in the USA, but it failed to chart there.[42] On November 7, 1968 The Showstoppers appeared on Beat! Beat! Beat!, a West German television show,[43] where they lip synched "Ain't Nothin' But a House Party" and their new release, "Eeny Meeny".[44] After Milton Samuel negotiated a deal in October 1968 to distribute Beacon Records recordings through EMI,[24] on November 13, 1968 "Eeny Meeny",[35] (MGM 1436), entered the UK charts, where it spent the next 7 weeks, peaking at #33.[45]

Later releases (1968-1972)

The Showstoppers released several more singles, including "Shake Your Mini" (1968);[46] and 1969's "Just A Little Bit Of Lovin'" b/w "School Prom" (Beacon BEA 130),[47] however none achieved chart success.

Chart success in the UK and Europe "created demand not only for the record but for live appearances as well". As the Showstoppers had disbanded, Jerry Ross sent a different group on an entire tour of the UK and Europe as The Show Stoppers,[48] which was a group later known as The Persuaders, who would later score with "Thin Line Between Love and Hate". Eventually the authentic Showstoppers traveled to Europe and were well received.

On January 17, 1971 The Showstoppers performed at the Twisted Wheel Club in Manchester, England. The Showstoppers made their third and final appearance on Top of the Pops on February 28, 1971, singing the disco version of "Aint' Nothing But a House Party".[49][50]

After their own tour of Europe, and in the absence of any other hit records, The Showstoppers disbanded finally about 1972.[7]

Group members

Discography

Singles (45 rpm)

Title (A Side/B Side) (Label Number) Year

Compilations

LPs

Compact discs

References

  1. 1 2 3 4 5 6 7 "Biography by Andrew Hamiltion". Allmusic.com. Retrieved 20 April 2009.
  2. 1 2 Nigel Hunter, "London", Billboard (May 11, 1968) p.50
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  4. Ancestry.com. U.S. Public Records Index, Vol. 2.
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  6. Ruth Rolen, "Singer Solomon Burke Lives the Lyrics; Pastors at 13", The Washington Afro-American (August 17, 1957):18.
  7. 1 2 3 Frank W. Hoffmann, Rhythm and Blues, Rap, and Hip-Hop, Vol. 6 (Infobase Publishing, 2006):239.
  8. "Ain't Nothin' But a Smash!", Billboard (27 May 1967):53.
  9. Billboard (27 May 1967):20.
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  20. Nigel Hunter, London", Billboard (23 March 1968):47.
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Further reading

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