Clara Gibbings
| Clara Gibbings | |
|---|---|
| Directed by |
F.W. Thring associate Frank Harvey |
| Produced by | F.W. Thring |
| Written by | Frank Harvey |
| Based on | play by Aimee & Philip Stuart |
| Starring |
Dorothy Brunton Campbell Copelin |
| Cinematography | Arthur Higgins |
Production company | |
Release dates |
|
Running time | 81 minutes |
| Country | Australia |
| Language | English |
| Budget | £5,000[2] |
Clara Gibbings is a 1934 Australian film directed by F.W. Thring about the owner of a London pub who discovers she is the daughter of an earl. It was a vehicle for stage star Dorothy Brunton.[3]
Synopsis
Clara Gibbings discovers she is the legitimate but abandoned daughter of the Earl of Drumoor. She becomes a member of high society but soon becomes disillusioned with their morals. She falls in love with a young aristocrat, Errol Kerr, who proposes, and they go off to live in Australia.
Cast
- Dorothy Brunton as Clara Gibbings
- Campbell Copelin as Errol Kerr
- Harvey Adams as Justin Kerr
- Noel Boyd as Yolande Probyn
- Harold Meade as Earl of Drumoor
- Byrl Walkley as Lady Drumoor
- Marshall Crosby as Tudor
- Russell Scott as Gallagher
- Guy Hastings as Ted
Original Play
| Clara Gibbings | |
|---|---|
| Written by | Aimee & Philip Stuart[4] |
| Date premiered | London |
| Place premiered | 1929 |
| Original language | English |
| Genre | melodrama |
The script was one of a number of play adaptations from F.W. Thring.[5] It was based on a 1929 English play[6] which originally been presented by Thring in Melbourne (one of the cast, Beatrice Day, collapsed and died during rehearsal).[7] It had also been produced on Broadway under the title of Lady Clara starring Florence Nash.[8]
Production
The film was shot at Efftee's St Kilda studios in early 1934. Although Thring was credited as director, it is likely Frank Harvey did most of the actual direction on set.[9]
During shooting, Thring announced he would close the studios after making the movie due to difficulties in getting his product released outside Melbourne.[10][11] It finished by April.[12] Thring did make another film before shutting down the studio, The Streets of London (1934), and announced plans to revive production, but died before he was able to.[13]
"I took one look at myself in the 'rushes' — and looked away", admitted Brunton. "I simply could not bear to see myself any more. I thought I looked terrible."[14]
Reception
The film was previewed in September and released in Melbourne at the Mayfair Cinema on 13 October where it was reported as "recording excellent business".[15][16] Reviewers commented on the fact it was basically a filmed play.[17]
It won third prize (amounting to £750) in a competition held by the Commonwealth government in 1935.[18] The judges said the film "contained sparkling dialogue supported by competent acting, although the adaptation of the English play on which it was based was inadequate."[19] However, as of 1936 the film had not been seen on Sydney screens.[20] It was released in England but received poor reviews.[21]
Peter Fitzpatrick, biographer of Thring, later described the movie as looking "like a run-of-the-mill British B-picture, and that is at once a badge of proficiency and a mark of its remoteness from everything that Effree stood for."[22]
References
- ↑ "Notes on the Screen.". The Argus. Melbourne: National Library of Australia. 26 September 1934. p. 5. Retrieved 10 August 2012.
- ↑ "Counting the Cash in Australian Films"', Everyones 12 December 1934 p 19-20
- ↑ Andrew Pike and Ross Cooper, Australian Film 1900–1977: A Guide to Feature Film Production, Melbourne: Oxford University Press, 1998 p166
- ↑ "COLLABORATION.". The West Australian. Perth: National Library of Australia. 13 April 1935. p. 20. Retrieved 10 August 2012.
- ↑ 'ENGLISH PLAYS To be Filmed in Melbourne', The Sydney Morning Herald Friday 12 January 1934 p 6
- ↑ "A WOMAN'S LETTER.". The Argus. Melbourne: National Library of Australia. 2 February 1929. p. 6. Retrieved 10 August 2012.
- ↑ 'MISS BEATRICE DAY. Death of Actress', The Sydney Morning Herald, Tuesday 5 September 1933 p 7
- ↑ Broadway listing of Lady Clara at IBDB
- ↑ Fitzpatrick p 222
- ↑ "AUSTRALIAN FILMS Suspension of Production.". The Argus. Melbourne: National Library of Australia. 13 February 1934. p. 9. Retrieved 10 August 2012.
- ↑ "AUSTRALIAN FILMS.". The Sydney Morning Herald. National Library of Australia. 14 February 1934. p. 12. Retrieved 10 August 2012.
- ↑ "AUSTRALIAN FILM.". The Sydney Morning Herald. National Library of Australia. 20 April 1934. p. 13. Retrieved 10 August 2012.
- ↑ "EFFTEE FILMS.". The Sydney Morning Herald. National Library of Australia. 27 July 1934. p. 7. Retrieved 10 August 2012.
- ↑ "From ROSALIND'S NOTEBOOK.". The Mail. Adelaide: National Library of Australia. 25 August 1934. p. 17. Retrieved 10 August 2012.
- ↑ "Clara Gibbings at Hit at Mel Mayfair", Everyone's,, 24 October 1934 p 30
- ↑ "THE MIRROR OF SCOEITY.". The Australian Women's Weekly. National Library of Australia. 8 September 1934. p. 29. Retrieved 10 August 2012.
- ↑ "The Mayfair "CLARA GIBBINGS".". The Argus. Melbourne: National Library of Australia. 15 October 1934. p. 4. Retrieved 10 August 2012.
- ↑ 'AUSTRALIAN FILMS. NATIONAL COMPETITIONS. "HERITAGE" FIRST CHOICE', Cairns Post Friday 8 March 1935 p 8
- ↑ "PRIZE-WINNING FILMS.". The Argus. Melbourne: National Library of Australia. 30 May 1935. p. 15. Retrieved 10 August 2012.
- ↑ '"CLARA GIBBINGS" Gazetted as Quota Film', The Sydney Morning Herald, Saturday 6 June 1936 p 12
- ↑ "SCREEN NOTES: By Preview.". The Argus. Melbourne: National Library of Australia. 10 June 1936. p. 11. Retrieved 10 August 2012.
- ↑ Fitzpatrick p 223
- Fitzpatrick, Peter The Two Frank Thrings, Monash University, 2012
External links
- Clara Gibbings at the Internet Movie Database
- Clara Gibbings at Oz Movies
- Review of play of same name (produced in conjunction with F. W. Thring), The Age newspaper via Google, 28 August 1933. C. Copelin played the same role in the play as in the movie, at the Garrick Theatre (Guildford), while Ruby May originated the title character. The co-playwrights are identified as "the authors of The Cat's Cradle", which featured Marie Tempest. Aimée Stuart is identified as killed WW1 airman William Bond's widow, in Bond's article.