Francesco Cavalli

Francesco Cavalli (This is traditionally said to be a portrait of the composer, though attribution is not certain.)

Francesco Cavalli (14 February 1602 14 January 1676) was an Italian composer of the early Baroque period. His real name was Pietro Francesco Caletti-Bruni, but he is better known by that of Cavalli, the name of his patron Federico Cavalli, a Venetian nobleman.

Life

Cavalli was born at Crema, Lombardy. He became a singer (soprano) at St Mark's Basilica in Venice in 1616, where he had the opportunity to work under the tutorship of Claudio Monteverdi. He became second organist in 1639, first organist in 1665, and in 1668 maestro di cappella. He is chiefly remembered for his operas. He began to write for the stage in 1639 (Le nozze di Teti e di Peleo) soon after the first public opera house opened in Venice, the Teatro San Cassiano. He established so great a reputation that he was summoned to Paris from 1660 (he revived his opera Xerse) until 1662, producing his Ercole amante. He died in Venice at the age of 73.

Music and influence

Cavalli was the most influential composer in the rising genre of public opera in mid-17th-century Venice. Unlike Monteverdi's early operas, scored for the extravagant court orchestra of Mantua, Cavalli's operas make use of a small orchestra of strings and basso continuo to meet the limitations of public opera houses.

Cavalli introduced melodious arias into his music and popular types into his libretti. His operas have a remarkably strong sense of dramatic effect as well as a great musical facility, and a grotesque humour which was characteristic of Italian grand opera down to the death of Alessandro Scarlatti. Cavalli's operas provide the only example of a continuous musical development of a single composer in a single genre from the early to the late 17th century in Venice only a few operas by others (e.g., Monteverdi and Antonio Cesti) survive. The development is particularly interesting to scholars because opera was still quite a new medium when Cavalli began working, and had matured into a popular public spectacle by the end of his career.

Cavalli wrote forty-one operas, twenty-seven of which are still extant, being preserved in the Biblioteca Nazionale Marciana (Library of St Mark) in Venice. Copies of some of the operas also exist in other locations. In addition, two last operas (Coriolano and Masenzio), which are clearly attributed to him, are lost, as well as twelve other operas that have been attributed to him, though the music is lost and attribution impossible to prove.

In addition to operas, Cavalli wrote settings of the Magnificat in the grand Venetian polychoral style, settings of the Marian antiphons, other sacred music in a more conservative manner – notably a Requiem Mass in eight parts (SSAATTBB), probably intended for his own funeral – and some instrumental music.[1]

Performance history

TitleLibrettoPremière datePlace, theatreNotes
NozzeLe nozze di Teti e di PeleoOrazio Persiani24 January 1639Venice, Teatro San Cassiano 
AmoriGli amori d'Apollo e di DafneGiovanni Francesco Busenello1640Venice, Teatro San Cassiano 
DidoneLa DidoneGiovanni Francesco Busenello1641Venice, Teatro San Cassiano 
AmoreL'amore innamoratoGiovanni Battista Fusconi1 January 1642Venice, Teatro San Moisè
NarcisoNarciso et Ecco immortalatiOrazio Persiani30 January 1642Venice, Teatro Santi Giovanni e Paololost
VirtuLa virtù dei strali d'AmoreGiovanni Faustini1642Venice, Teatro San Cassiano 
EgistoL'EgistoGiovanni Faustiniautumn 1643Venice, Teatro San Cassiano 
DeidamiaLa DeidamiaScipione Herrico5 January 1644Venice, Teatro Novissimolost
OrmindoL'OrmindoGiovanni Faustini1644Venice, Teatro San Cassiano 
RomoloIl Romolo e 'l RemoGiulio Strozzi1645Venice, Teatro Santi Giovanni e Paololost
DoricleaLa DoricleaGiovanni Faustini1645Venice, Teatro San Cassiano 
TitoneIl TitoneGiovanni Faustini1645Venice, Teatro San Cassianolost
ProsperitaLa prosperità infelice di Giulio Cesare dittatoreGiovanni Francesco Busenello1646Venice, Teatro Santi Giovanni e Paololost
TorildaLa TorildaPietro Paolo Bissari1648Venice, Teatro Santi Giovanni e Paolo or Teatro San Cassianolost
GiasoneIl GiasoneGiacinto Andrea Cicognini5 January 1649Venice, Teatro San Cassiano 
EuripoL'EuripoGiovanni Faustini1649Venice, Teatro San Moiselost
OrimonteL'OrimonteNicolò Minato23 February 1650Venice, Teatro San Cassiano 
BradamanteLa BradamantePietro Paolo Bissari1650Venice, Teatro Santi Giovanni e Paololost
ArmidoroL'ArmidoroBortolo Castoreo20 January 1651Venice, Teatro Sant 'Apollinarelost
OristeoL'OristeoGiovanni Faustini9 February 1651Venice, Teatro Sant'Apollinare 
RosindaLa RosindaGiovanni Faustini1651Venice, Teatro Sant'Apollinarealso known as Le magie amorose
CalistoLa CalistoGiovanni Faustini28 November 1651Venice, Teatro Sant'Apollinare 
EritreaL'EritreaGiovanni Faustini17 January 1652Venice, Teatro Sant'Apollinare 
VeremondaLa Veremonda, l'amazzone di AragonaGiacinto Andrea Cicognini and Giulio Strozzi21 December 1652Naples, Nuovo Teatro del Palazzo Realealso known as Il Delio
OrioneL'OrioneFrancesco MelosioJune 1653Milan, Teatro Real 
XerseIl XerseNicolò Minato12 January 1654Venice, Teatro Santi Giovanni e Paolo 
CiroIl CiroGiulio Cesare Sorrentino30 January 1654Venice, Teatro Santi Giovanni e Paoloin collaboration with Andrea Mattioli
ErismenaL'ErismenaAurelio Aureli30 December 1655Venice, Teatro Sant'Apollinare 
StatiraStatira principessa di PersiaGiovanni Francesco Busenello18 January 1656Venice, Teatro Santi Giovanni e Paolo 
ArtemisiaL'ArtemisiaNicolò Minato10 January 1657Venice, Teatro Santi Giovanni e Paolo 
HipermestraL'HipermestraGiovanni Andrea Moniglia12 June 1658Florence, Teatro degli Immobili 
AntiocoL'AntiocoNicolò Minato12 January 1659Venice, Teatro San Cassianolost
ElenaIl rapimento d'HelenaGiovanni Faustini and Nicolò Minato26 December 1659Venice, Teatro San Cassianoalso known as Elena
PazziaLa pazzia in trono, ossia il Caligola deliranteDomenico Gisberti1660Venice, Teatro Sant'Apollinarelost
ErcoleErcole amanteFrancesco Buti7 February 1662Paris, at the Salles des Machines in the Tuileries PalaceBallet music by Jean-Baptiste Lully
ScipioneScipione affricanoNicolò Minato9 February 1664Venice, Teatro Santi Giovanni e Paolo 
MutioMuzio ScevolaGiovanni Faustini and Nicolò Minato26 January 1665Venice, Teatro San Samuele 
PompeoPompeo MagnoNicolò Minato20 February 1666Venice, Teatro San Salvatore 
EliogabaloEliogabaloAurelio Aurelicomposed 1667, premiered 1668Venice, Teatro San Salvatore 
CoriolanoCoriolanoCristoforo Ivanovich27 May 1669Piacenza, Teatro Ducalelost
MasenzioMasenzioGiacomo Francesco Bussanicomposed 1673unperformed and lost

Modern performances

Cavalli's music was revived in the twentieth century. The Glyndebourne production of La Calisto is an example.[2] The discography is extensive and Cavalli has featured in BBC Radio 3's Composer of the Week series.[1]

See also

References

Notes

Further reading

External links

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