Gill Matthewson

Gill (Gillian) Matthewson is a New Zealand architect, scholar and educator, currently based at Monash University in Melbourne, Australia.

Early Life and Education

Matthewson was born in Wellington, New Zealand, and educated at Tawa College. She received her bachelor's degree in architecture from the University of Auckland, School of Architecture, in New Zealand, followed by a master's degree in architecture from University of East London for a study on the work of Lilly Reich titled "Sex, Lies and the Barcelona Pavilion" (1994).^[1] She completed her PhD at the University of Queensland in 2015 on the topic "Dimensions of Gender: Women's Careers in the Australian Architecture Profession".^[2] This was part of a larger research project, Equity and Diversity in the Australian Architectural Profession: women, work and leadership, led by Naomi Stead.^[3]

Research and professional experience

A strong advocate of addressing gender discrimination in the field of architecture, Matthewson's scholarship concerns the state of the architectural industry's treatment of women. During her professional life, she has practiced architecture full-time for a decade, including at the firm Claire Chamber Architects (New Zealand),^[4] and in England at Matrix Feminist Design Cooperative and BDP. In addition to practicing architecture, Matthewson has contributed to the field as an academic with teaching positions at Wellington Institute of Technology, the University of Queensland. She joined Monash University Art, Design and Architecture in March 2016

Published works

• "Women in architecture: who counts?". Architecture Now. Retrieved 2015-10-15. 
• "Nothing Else Will Do: the call for gender equality in architecture in Britain" Architectural Theory Review, 17, 2-3.
• "Architect Barbie Through the Looking Glass: gender, identity and architecture" in Fabulation: Myth, Nature, Proceedings of the 29th Annual SAHANZ conference, edited by Stuart King, Anuradha Chatterjee and Stephen Loo Launceston: SAHANZ, 2012.
• "Women and Leadership in the Australian Architectural Profession: Prolegomena to a Research Project" co-authored with Naomi Stead and Karen Burns, in Rosemary Francis, Patricia Grimshaw and Ann Standish eds. Seizing the initiative: Australian women leaders in politics, workplaces and communities Melbourne: eScholarship Research Centre, The University of Melbourne.
• "House Work: women and the Group" and "Houses for Modern Homes Inc" in Julia Gatley (ed) Group Architects: towards a New Zealand Architecture, Auckland: Auckland University Press, 2010. 6pp & 5pp. (Invited chapters.)
• "Suburban Imaginings: the Rotherham House Stories" in Imagining... Proceedings of the 27th Annual Conference of the Society of Architectural Historians, Australia and New Zealand, edited by Michael Chapman and Michael Ostwald. Newcastle: SAHANZ, 2010. pp 253–257.
• "You have No Idea: Women in Architecture in the Eighties" in Christine McCarthy (ed) "... ponderous pedantic pediments prevail... good, clean fun in a bad, dirty world": New Zealand Architecture in the 1980, Centre for Building Performance Research, Faculty of Architecture and Design, Victoria University, pp 57–61.
• "People who Live in Glass Houses: Walter Benjamin and the dream of glass architecture." In Cultural Crossroads Proceedings of the 26th Annual Conference of the Society of Architectural Historians, Australia and New Zealand, edited by J Gatley. Auckland: SAHANZ, 2009.
• Gill Matthewson and Christine McCarthy, eds. Inhabiting Risk: Proceedings of the 3rd Conference of Interior Design / Interior Architecture Educators Association. Wellington: NZ, 2007, 179pp.
• "In a Glass Darkly: the Glass Pavilion and reflections in Photographs." In Contested Terrains Proceedings of the 23rd Annual Conference of the Society of Architectural Historians, Australia and New Zealand, edited by T McMinn, J Stephens & S Basson 345-350. Fremantle: SAHANZ, 2006.
• Leach, Andrew and Gill Matthewson, eds. Celebration: Proceedings of the 22nd Annual Conference of the Society of Architectural Historians, Australia and New Zealand. Napier: SAHANZ, 2005, 398pp
• "Sketching in the Margins: women in the architectural profession." Charles Walker (ed) Exquisite Apart: 100 Years of Architecture in New Zealand, Auckland, NZ: Balasoglou Books on behalf of the New Zealand Institute of Architects, 2005. (Invited chapter.)
• "Take it to the Limit: Women as Breach in Architecture." Limits, proceedings of the 21st Annual Conference of the Society of Architectural Historians of Australia and New Zealand, edited by Harriet Edquist & Helene Fichot, Melbourne, October 2004.
• "Pictures of Lilly: erasures, additions and errors" Lilith: A Feminist History Journal 11 (November 2003): 65-77
• "Pictures of Lilly: Lilly Reich and the role of victim," Additions to Architectural History, Proceedings of the 19th Annual Conference of the Society of Architectural Historians, Australia and New Zealand, edited by John Macarthur and Antony Moulis. Brisbane: SAHANZ, 2002 [cd-rom], 12pp.
• "Imaging Utopia: Domestic Frames" In the Making: Architecture’s Past, Proceedings of the 18th Annual Conference of the Society of Architectural Historians, Australia and New Zealand, edited by Kevin Green, Darwin, Australia, September 2001
• "Breaking Clichés: the Human Accessory in the Work of Julius Shulman," Hunch: the Berlage Institute Report, no 3, April 2001, pp. 78–81. Invited article.
• "Looking at the Icons" Formulation Fabrication,Proceedings of the 17th Annual Conference of the Society of Architectural Historians, Australia and New Zealand, edited by Andrew Leach and Emina Petrovic, Wellington, New Zealand, December 2000.
• "Standing in the Shadows" – Interstices 4 University of Auckland, 1996
• "On Discrimination", co-authored with Heather Ives – NZ Architect Nov 1985
• "Seeds" – NZ Architect, No 1 1984

References