Josef Danhauser

Josef Danhauser
Franz Liszt Fantasizing at the Piano (1840), by Danhauser, commissioned by Conrad Graf. The imagined gathering shows seated Alfred de Musset or Alexandre Dumas, père, George Sand, Franz Liszt, Marie d'Agoult; standing Hector Berlioz or Victor Hugo, Niccolò Paganini, Gioachino Rossini; a bust of Beethoven on the Graf grand piano, a portrait of Byron on the wall, a statue of Joan of Arc on the far left. Current location: Staatliche Museen zu Berlin – Stiftung Preußischer Kulturbesitz, Alte Nationalgalerie F.V. 42.[1][2][3]

Josef Danhauser (August 19, 1805 in Laimgrube (now a part of Mariahilf or Neubau) – May 4, 1845) was an Austrian painter, one of the main artists of Biedermeier period, together with Ferdinand Georg Waldmüller, Peter Fendi, among others. His works, not very appreciated in his days, dealt with very moralising subjects and had a clear influence of William Hogarth.

Biography

Joseph Danhauser was born in Vienna in 1805, the eldest son of sculptor and furniture manufacturer Joseph Ulrich Danhauser and his wife Johanna (née Lambert).

He took his first painting lessons with his father and later assisted the Vienna Academy of Fine Arts. He studied with Johann Peter Krafft and made his first exhibition 1826.

Invited by Johann Ladislaus Pyrker, patriarch of Venice, he visited the city of Doges, where he started to study the Italian masters. He came back to Vienna via Trieste in 1827, visiting Prague. On the 27th of March 1827 he and his colleague de:Johann Matthias Ranftl molded Ludwig van Beethoven's death mask, roughly 12 hours after his death[4][5] and Danhauser painted a water-colour representing his deathbed. In 1828, he spent some time in Eger, with an invitation of this Hungarian city archbishop Pyrker. He solicited him for some pictures for the gallery of the Archdiocese.[6]

After his father's death in 1829, his brothers and he managed his furniture factory during the Biedermeier movement, being the precursors of modern design. That made him put his painting career aside.

In 1833, he responded to a second invitation from Eger's archbishop and he painted The martyr of Saint John for a new basilica in the city and he received the Vienna Academy prize for his picture Die Verstoßung der Hagar and he specialised in Genre works. In 1838, he was appointed vice-rector of the Academy and married Josephine Streit, who was the daughter of a physician and with whom he had three children, Josef, Marie and Julie, born in 1839, 1841 and 1843 respectively.

Josef Danhauser was appointed professor of historical Painting at the Academy in 1841, but he left this occupation and he travelled around Germany and the Netherlands with the textile maker, art aficionado and art sponsor Rudolf von Arthaber. In this journey, he was very interested in the Dutch School and the format of his works was smaller. He died of typhus in Vienna in 1845. They named a street after him in Vienna in 1862.

Works (in metres)

References

  1. ↑ After the golden age: romantic pianism and modern performance by Kenneth Hamilton, p. 83, Oxford University Press 2008, ISBN 978-0-19-517826-5
  2. ↑ "Liszt at the Piano" by Edward Swenson, June 2006
  3. ↑ Franz Liszt, am Flügel phantasierend at Stiftung Preußischer Kulturbesitz
  4. ↑ Le Menestrel, 2832, year 51, nr.28, page 222 (June 1885).
  5. ↑ "Beethoven Haus, Bonn" (PDF). (589 KB)
  6. ↑ Biography of Josef Danhauser, Gallery of Art
  7. ↑ Franz Liszt, am Flügel phantasierend at Stiftung Preußischer Kulturbesitz

Bibliography

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