Michael Hatt

Michael Hatt was appointed professor of art history at the University of Warwick in 2007. He was previously head of research at the Yale Center for British Art.^[1]

Hatt completed his BA and PhD in art history at Birkbeck College, University of London, before taking a teaching position at the University of Nottingham.^[2]

Selected publications

Art History: A Critical Introduction to Its Methods. Manchester: Manchester University Press, 2006. (With Charlotte Klonk)
The Edwardian Sense: Art, Design, and Performance in Britain, 1901-1910. Yale Center for British Art, 2010. (Editor)

"Uranians and Imperialists", in eds. Timothy Barringer, Douglas Fordham, and Geoffrey Quilley, Art and the British Empire, Manchester University Press, 2007.
"Space, Surface, Self: Homosexuality and the Aesthetic Interior", Visual Culture in Britain, Vol. 8, No. 1, Summer 2007, pp. 105–128.
"A Great Sight: Henry Scott Tuke and His Models", in eds. Jane Desmarais, Martin Postle, and William Vaughan, Models and Supermodels: The Artist's Model in Britain, Manchester University Press, 2006, pp. 89–104.
"Near and Far: Hamo Thornycroft's Mower and the Homoerotics of Labour", Art History, Vol. 26, No. 1, 2003, pp. 26–55.

This article is issued from Wikipedia - version of the 7/30/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.