Natalia Pankova

Natalia Pankova
Born (1965-06-28) June 28, 1965
Gorky, Russian SFSR, Soviet Union
Known for Painting
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Natalia Yurievna Pankova (Russian: Наталия Юрьевна Панкова; born June 28, 1965, Gorky (Nizhny Novgorod)) is a Russian artist, art manager; member of the Russian Union of Artists. , chairperson of the Executive Committee of the Nizhny Novgorod «Russian Art» Foundation,[1] and Counselor to the Representative of the Ministry of Foreign Affairs of Russia in Nizhny Novgorod, Master of Arts.

Biography

Natalia Pankova was born in the city of Gorky (Nizhny Novgorod) in 1965. She was educated at the Gorky Art School and the Moscow External University of the Humanities. Since 1988, she has held exhibitions in Moscow and Nizhny Novgorod, and participated in international projects in Spain, Luxembourg, Great Britain, Austria, Hungary and Algeria. She has shown personal exhibitions in Moscow (Central Artist’s House, Institute of Arts Studies, State Duma and others), Nizhny Novgorod (Nizhny Novgorod State Museum of Fine Arts, Nizhny Novgorod Exhibition Center and others), Samara, Saransk, Cheboksary, Sarov, and internationally in Luxembourg, London, Vienna, Budapest, Algiers, Annaba and Constantina. * 1995 – creative journey to Paris on an engagement from French Prime Minister Alain Juppe, followed by a trip to Spain where she was invited by a private gallery and worked for a few months on her «Spanish Series» project in Barcelona.

Works are in collections

Arts critics

Painting in jazz impromptu style. A motif as a melodic theme is picturesquely arranged with generous and dynamic sweeps of a brush and a palette-knife. The energy of expressiveness vividly exposes the decorative significance of color.

Irina Marsheva, arts critic[2]

Getting absorbed in the space of a painting, we first and foremost discover in it the relationships of color – now bright and beaming, now subdued but always rich, sappy and invariably harmonized. Subject loses its conventional value, as it is color, not a theme, that bestows integrity to Natalia Pankova’s pictures; color provides all explanations and whatever justification is needed in her world. Color turns the artist’s works into an enchanting sight that challenges the tedium and the malice of day. This eye-catcher is cherished as a gift, and it lasts bringing with it the frothiness of liberation from routine pains, hardships and vanities…

Vladimir Tseltner, arts critic[2]

…The emotional power of Pankova’s pictures also masses in the peculiarities of canvas style. Her best pictures are not just painted but rather assembled as a certain item. There is inherent gorgeousness of complex alterations of surface in the motion of texture and the rhythm of rich strokes. Dense face-work and the glimmer of color and light resemble the physical structure of precious mosaic.

Lyubov Saprykina, arts critic[2]

The painting of Pankova brings to mind Picasso’s famous maxim about an artist’s innate trait of seeing the world "with the marveled eyes of a child who does his or her first discoveries." It is the acuity and freshness of her view of the world that emanate charm from Natalia’s works… Nature is portrayed in Pankova’s pictures as the eternal and immeasurable source of beauty; its images are majestic and dressy. The artist mounts to remarkable virtuosity in her unique manner.

Tatyana Emelyanova, arts critic[3]

The first thing to stagger a viewer is the quality of color, its power and vigor... What prepossesses one in the artist’s favor is the particular veracity of her nature, of which a core is an aesthetic imperative of beauty.

Vyacheslav Filippov, arts critic[4]

The quest of the Nizhny Novgorod artist is a rare occurrence. The painting that one is expected to call decorative radiates the conception of man and world and thereby satisfies a contemporary person’s need for emotional, active and visually exquisite art.

Igor Svetlov, arts critic[5]

Joint exhibitions

1988–2010 — participation in the joint exhibitions including:

One-man exhibitions

Art exhibitions abroad

See also

References

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