Noise Khanyile
| Worldbeat | |
|---|---|
| Stylistic origins |
World music Traditional music roots music Pop rock Indie rock |
| Cultural origins | Mid 1980s, United States, United Kingdom |
| Typical instruments | Widely variable, though drums or percussion are constant |
| Subgenres | |
| Afrobeat | |
| Fusion genres | |
| Afro-Cuban jazz - Afro-juju - Bhangragga - Biguine moderne - Burger highlife - Calypso-style baila - Campursari - Canto livre - Canto nuevo - Chicha - Chutney-bhangra - Chutney-hip hop - Fuji - Hip life - Lambada - Latin jazz - Merenrap - Mor lam sing - Nueva cancion - Punta rock - Rai pop - Rapso - Reggae highlife - Salsa - Sevillana - Slack-key - Songo - Zamrock - Zouk - Bouyon | |
| Other topics | |
| World music - folk music | |
Noise Khanyile & the Jo'burg City Stars was a Johannesburg, South Africa based ensemble produced by Lloyd Ross and released by Shifty Records. Noise has been critically acclaimed by scholars such as East African Standard musicologist John Storm Roberts.[1] They exhibit a sophisticated multiply layered tapestry of Zulu inspired sound on his 1989 release Art of Noise.[2] For instance, in the web-published track "Groovin' Jive No. 1"[3] combining hand clap, drums, creative percussion with horn, harmonized vocals, special effects and fiddle in a distinctively contemporary sound. Baba Wami (Tribute Song)[4] draws more explicitly upon tradition[5] The performances have been critically distinguished between traditional (Zulu) music and a style referred to a "township jive" or simply as "jive".[6] His music, although rooted in folk tradition, is nevertheless described by some critics as "violin" rather than "fiddle".[6] This music is often played in shebeens, an alternative to the pubs which had been closed to blacks under apartheid but which some assert are experiencing a renaissance as a form of cultural resurgence.[7] album now available as a download at: http://noisekhanyile.bandcamp.com/
Discography
- Contributing artist
Bibliography
- Allingham, Rob. "Nation of Voice". 2000. In Broughton, Simon and Ellingham, Mark with McConnachie, James and Duane, Orla (Ed.), World Music, Vol. 1: Africa, Europe and the Middle East, pp 638–657. Rough Guides Ltd, Penguin Books. ISBN 1-85828-636-0
See also
References
- ↑ "... a man who played with most of the big names of the time. This has to rank as one of the best reissues of down-home '70s sounds so far"|http://www.artistdirect.com/nad/store/artist/album/0,,139624,00.html| John Storm Roberts|All Music Guide
- ↑ Audio CD (December 27, 2004)|Original Release Date: 1989 on Shifty Records|Number of Discs: 1|Format: Original recording reissued, Import|Label: Globe Style UK|ASIN: B000008IZY
- ↑ https://www.youtube.com/watch?v=14kszcLyAg8
- ↑ http://www.topix.com/forum/world/lesotho/T78QGFRTU7QTLAJNM
- ↑ https://www.youtube.com/watch?v=0h1pe9TTkM8&feature=related
- 1 2 http://www2.bowed.org/011/nk.html
- ↑ Stanley-Niaah, Sonjah. "Mapping of Black Atlantic Performance Geographies: From Slave Ship to Ghetto." In Black Geographies and the Politics of Place, ed. by Katherine McKittrick and Clyde Woods, pp. 193–217. Cambridge, MA: South End Press, 2007.
| Mbaqanga | |
|---|---|
| Stylistic origins |
Marabi Kwela |
| Cultural origins | Early 1960s |