Peter Cusack (musician)

This article is about the musician. For Australian rugby league player, see Peter Cusack (rugby league).

Peter Cusack is an artist and musician who is a member of CRiSAP (Creative Research in Sound Arts Practice), and is a research staff member and founding member of the London College of Communication in the University of the Arts London. He was a founding member and director of the London Musicians' Collective.

He is best known as a member of the avant garde musical quartet, Alterations (1978–1986; with Steve Beresford, David Toop, and Terry Day),[1] and the creator of field and wildlife recording-based albums including:

Cusack has been involved in a wide range of projects throughout his career. Several of his pieces have been reviewed in Leonardo Music Journal, the annual music Journal published by MIT Press. He has also curated an album for Leonardo Music Journal.

He is currently research fellow on the Engineering and Physical Sciences Research Council's multidisciplinary 'Positive Soundscapes Project'.

Musical interests

Cusack is particularly interested in environmental sound and acoustic ecology. He has examined the sound properties of areas such as Lake Baikal, Siberia, and the Azerbaijan oil fields, and is interested in how sounds change as people migrate and as technology changes.

In 1998, Cusack started the "Your Favorite London Sound" project. The goal is to find out what London noises are found appealing by people who live in London.[2] This was so popular that it has been repeated in Chicago, Beijing, and other cities. He is involved in the "Sound & The City" art project using sounds from Beijing in October 2005.

Cusack's Sounds From Dangerous Places is a project to collect sounds from sites which have sustained major environmental damage. Sites that Cusack is working on include Chernobyl, the Azerbaijan oil fields, and areas around controversial dams on the Tigris and Euphrates river systems in south east Turkey.

Cusack's performances are a central part of the book Haunted Weather: Music, Silence, and Memory (Toop, 2004) by his old collaborator and respected music critic and author, David Toop. Toop investigates the use of environmental sound and electronic instruments in experimental music in his book.

Other performances

With clarinetist Simon Mayo, he formed the duo known as "A Touch of the Sun". His first "major" recording was part of Fred Frith's 1974 record, "Guitar Solos".

He was one of the first to play the bouzouki in England, which gained him the respect of London's musical avant garde.

As a musician, he has collaborated with artists such as Clive Bell, Nic Collins, Alterations, Chris Cutler, Max Eastley, Evan Parker, Hugh Davies, Annette Krebs and Eastern Mediterranean singer Viv Corringham.

A live performance with Nicolas Collins was released as "A Host, of Golden Daffodils" in 1999.

Selected Reviews

Culled from performances in Bracknell, Tilburg, and Berlin between 1979 and 1981, Voila Enough! is a snapshot of a chaotic and intensely creative quartet featuring Peter Cusack, Terry Day, David Toop, and Steve Beresford (principally on guitar, percussion, flutes, and piano, respectively, but also a bewildering number of instruments, conventional and unconventional)...Alterations' music redefines itself from moment to moment, both in terms of its overall structure and the material used to build it. Nearly a quarter of a century on, its power to captivate, infuriate, and have you falling off your chair in hysterics is entirely undimmed. (Dan Warburton, Allmusic)
You can hear the vast spaces, the majesty of the frozen lake, and the 'pittoresque' of the location through the wind, bird, and human sounds, but also through the acoustical features of the recordings. We can hear unusual bird songs, children playing with an outdoor PA system, Cusack in his daily routine (mediated by his very dry sense of humour). The recordings are crystal clear and ... create their own stories and convey a sense of here and now...these recordings disclose a unique soundworld. This reviewer would not be surprised if a compilation album of remixes/reworkings based on these recordings surfaced soon. (emphasis added; François Couture, Allmusic)
"...Cusack's field recordings are blended and sequenced against a light tracery of studio playing. Two main sections bring a structural cohesion to this grainy collection of 'pieces, recordings and in-betweens'...", (The Wire, 7/00, p.64)
"This CD represents a 25-year collaboration between renowned British avant-garde improviser Peter Cusack and instrument builder and sculptor Max Eastley. With numerous releases on ReR and Incus, the two musicians are mainstays of the British improvised music world...The duo creates intriguing delicate compositions with these instruments...."(Skip Jansen, Allmusic)
A new disc from the tireless London Musicians' Collective embarks on a sonic journey in their own city, asking Londoners, "What is your favorite London sound and why?" They received hundreds of responses, and musician Peter Cusack took it upon himself to hunt down and record those sounds, 40 of which appear here.(Kenneth Goldsmith, New York Press, Vol 15, Issue 9, 26 February 2002)

Activities related to music

He co-founded an artist-owned record label called "Bead Records" which has released many previously unavailable pieces in 1972. It had released more than 30 albums, as of 2007.

In 1975 Derek Bailey, Steve Beresford, Max Boucher, Paul Burwell, Jack Cooke, Peter Cusack, Hugh Davies, Madelaine and Martin Davidson, Richard Leigh, Evan Parker, John Russell, David Toop, Philipp Wachsmann and Colin Wood formed the journal MUSICS, later described as "an impromental experivisation arts magazine".

Cusack produces the monthly radio program "Vermilion Sounds" with Isobel Clouter. Vermilion Sounds explores environmental sounds and is broadcast by Resonance FM in London. John Levack Drever, writing in Soundscape, comments:

Of significant note is the work of Peter Cusack and Isobel Clouter (from the British Library Sound Archive who we now welcome onto the UKISC Management Committee), who have done a sterling job producing Vermilion Sounds—a weekly radio show for Resonance FM...[3]

Other projects

International collaborations

Cusack 's activities take him far afield. He had done work in Austria, Canada, Turkey, Beijing, Azerbaijan, Siberia, China's most western province, Xinjiang and France. He also spent 2 years at the STEIM studio in Amsterdam, honing his electronic music skills.

Selected recordings

Curations

Selected publications

References

Notes

  1. ↑ Bell, Clive. "Clive Bell: What's so funny 'bout British improvising? - The Wire". The Wire Magazine - Adventures In Modern Music. Retrieved 2016-05-17.
  2. ↑ Kenneth Goldsmith wrote a review of Your Favourite London Sounds, Compiled by Peter Cusack (London Musicians' Collective), Cusack’s Favourite London Sounds published in New York Press, (2002), 15 (9)
  3. ↑ United Kingdom and Ireland Soundscape Community (UKISC), John Levack Drever, Soundscape, Volume 4, Number 2, p. 7, Fall/Winter 2003, a review of Vermilion Sounds
  4. ↑ Frère Jacques et autres pièces à Francis: Expositions. 1997. Saint-Fons Ron Haselden, Saint-Fons, Centre d'Arts Plastiques, 1997, ISBN 2-9509357-2-9

External links

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