Raymond Wilding-White

Raymond Wilding-White (also known as Ray Wilding-White; 9 October 1922 – 24 August 2001) was a composer of contemporary classical music and electronic music, and photographer/digital artist.

Biography

Wilding-White was born in Caterham, Tandridge, Surrey, England, and spent the first five years of his life in England before moving to Saint-Germain-en-Laye, outside Paris, France, where he had his first formal instruction in music at the Conservatoire Camille Saint-Saëns. In 1932 the family moved to Buenos Aires, Argentina, his mother's family home.

In 1940, Wilding-White enrolled in the chemical engineering program at the Massachusetts Institute of Technology, but dropped out to assist in the war effort as a civilian. After the war he was accepted at the Juilliard School in New York City, earning his bachelor's degree in piano performance.

Wilding-White earned his master's degree in composition from the New England Conservatory of Music. During this period he also sang in the Chorus pro Musica under Alfred Nash Patterson, and as a countertenor (male alto) in the choir at Church of the Advent in Boston.

While in Boston he worked at the radio station WGBH. He and Nancy Harper won a Peabody Award for their work on The Children's Circle.

Wilding-White left WGBH to pursue his doctorate in composition from Boston University. He and his wife Glennie were married in 1956. He was a student of Aaron Copland and Luigi Dallapiccola.

By 1962 he had completed his doctorate and was appointed to the Kulas Chair at Case Institute of Technology. He taught in the humanities program and was director of the Case Glee Club as part of his academic duties and was instrumental in promoting contemporary music concerts and multi-media events in Cleveland, Ohio.

In 1967 Case Institute merged with Western Reserve University, and Wilding-White accepted an invitation from DePaul University to design and install an electronic music studio there. He taught humanities courses at DePaul until retiring in the mid-1980s. In Chicago he founded the contemporary performing arts ensemble The Loop Group.

Wilding-White created new radio programming at WFMT in Chicago, Illinois. During the Bicentennial year 1976 he recorded the daily series Our American Music. He also recorded a history of music in Chicago, entitled Music Chicago Style, as a complement to the Chicago Historical Society's exhibit, and wrote and presented programming on composers Charles Ives, John Cage, and Arnold Schoenberg.

Wilding-White was also an avid photographer and visual artist, with exhibitions in the gallery of Darkroom Aids, Chicago (1981) and the Brown County Museum (Green Bay, Wisconsin).

Wilding-White composed over 100 works. He was influenced by the work of John Cage. His scores are archived at the Newberry Library in Chicago, and his photographic work will also be kept there.

He died in Kewaunee, Wisconsin, of liver failure at the age of 78.

Compositions

Orchestral

Choral

  • Psalm 1 Mixed Chorus
  • Psalm 2 Three Equal Male Parts
  • Psalm 3 SSAA and 3 Trombones
  • Psalm 4 SATB
  • Psalm 5 (Two Versions)
  • Psalm 5 (Monte Carlo Suite No 4): Soprano and Wind Ensemble
  • Psalm 6 Female Voices
  • Psalm 6 Spoken Ensemble and Drum Set
  • Psalm 7 Mixed voices
  • Psalm 8 SATB
  • Two Psalms for Baritone
  • No 16 Solo
  • No 126 with piano
  • Four Psalms for Tenor and String Quartet
  • Psalm 63
  • Psalm 70
  • Psalm 42
  • Psalm 100
  • Psalm 9 Mixed Voices
  • Psalm 11 SATB and flute
  • Psalm 12 (The Magic Square) SAB
  • Psalm 13 Soprano and Piano (in 12 Songs)
  • Three Psalms for Bariton and Percussion
  • Psalm 13
  • Psalm 93
  • Psalm 43
  • Psalm 15 Pop setting SAAA, 2 keyboards, bass (opt drum set)
  • Psalm 16 Soprano and Organ
  • Psalm 17 SATB
  • Psalm 18 Mixed Voices and Orchestra
  • Psalm 19 "The 702 Names of God" 6 voices, solo voice, 2 electric pianos
  • Psalm 19 "Morse Code"
  • Four Psalms for Voices and Brass
  • No 12 for (amplified) SSAABB Trumpet. Horn and Trombone
  • No 111 for SSAATTBB 3 Trumpets. 3 Trombones & Tuba
  • No 113 for SATB 3 Trumpets. 3 Trombones & Tuba
  • No 115 for SSAATTBB Trumpet, Horn and Trombone
  • Psalm 20 Bass and violin
  • Psalm 21 Baritone and cello
  • Psalm 22 Amplified S and 3 Trumpets
  • Psalm 23 (Two Versions) SSAA
  • Psalm 24 Bariton and cello
  • Psalm 25 2 voices and 4 cymbal players
  • Psalm 26 Soprano solo, oboe, string quartet
  • Psalm 27 Soprano solo, 6 clarinets
  • Psalm 28 SSS soli
  • Psalm 29 SATB
  • Psalm 30 Teno, solo horn, bassoon
  • Psalm 31 Three Voices and 6 Xylophonists (3 instruments)
  • Psalm 32 SB, flute, clarinet, horn, violin, viola, cello
  • Psalm 33 Soprano solo, violin, cello, 2 trombones, theremin, percussion
  • Psalm 39 "Jeux de Cartes" Score on a deck of cards to be shuffled and dealt.
Variable number of voices and instruments
  • Psalm 43 Any number of men in unison and independently; 7 women plus 2 clarinets, 2 percussion & piano
  • Psalm 47 Male Chorus
  • Psalm 47 jazz vocal quartet setting
  • Psalm 51 Soprano solo, English horn, string quartet or organ
  • Psalm 54 24 Solo voices
  • Psalm 84 Baritone and flute
  • Psalm 89 - 6 altos and 6 flutes
  • Psalm 95 SSSSAAAATTBB
  • Psalm 99 SSAATTBB Organ
  • Psalm 102 Soprano, Countertenor and Organ
  • Psalm 109 16 Solo Voices
  • Psalm 112 Graphic Score
  • Psalm 114 Soprano and Piano (in 12 Songs)
  • Psalm 134 12 sung voices and 12 spoken voices
  • Psalm 141/142 - 4 sopranos, 4 altos, 4 baritones, piano, tam tam, truck spring
  • Psalm 142 with Mark Twain's War Prayer
SATB soli, SATB chorus, 4 oboes, 3 trumpets, 3 tbns, Vi 1-2, Vl, Ce, Bass.
  • Psalm 149 for SS Violin and viola
  • Psalm 150 for SSTB Hammered Dulcimer and Harpsichord
Small chorus SATB (Optionally SSAATTBB soli) and small ensemble

Songs

  • a: Nine for Soprano and Piano
  • b: Nine for Soprano and guitar
  • 1. Solo voice and 3 equal voices
  • 2. SSATB soli

Instrumental

Harpsichord, Tape and Narration

Stage works

Books

References

  1. ↑ Oscholars

External links

This article is issued from Wikipedia - version of the 3/15/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.