Serenade for Wind Instruments (Dvořák)

Serenade for wind instruments, cello and double-bass in D minor (Czech: Serenáda pro dechové nástroje d moll), Op. 44, B. 77, is a chamber composition by the Czech composer Antonín Dvořák. The work is dedicated to composer and music critic Louis Ehlert who highly credited the Slavonic Dances in the German press.

It was created in 1878, shortly after the première of the opera The Cunning Peasant, alongside 15 other compositions for the Austrian State Stipendium. The work was premiered on 17 November 1878 at a concert featuring exclusively Dvořák's works, with the Prague orchestra of the Provisional Theatre (Czech: Prozatímní). The composition was performed under the composer's baton.

The Serenade evokes the old-world atmosphere of the musical performances on the castles of the Rococo period, where the worlds of the aristocracy and the common folk merged.[1] It is composed in a "Slavonic style" (shortly before the Slavonic Dances), and the middle part of the second movement contains rhythms reminiscent of the furiant dance form.[2]

Structure

The work consists of four movements:

"Antonín Dvořák, Serenade op.44, I Moderato quasi marcia
Performed by the Virtual Philharmonic Orchestra (Reinhold Behringer) with digital samples

Problems playing this file? See media help.
"Antonín Dvořák, Serenade op.44, II Minuetto
Performed by the Virtual Philharmonic Orchestra (Reinhold Behringer) with digital samples

Problems playing this file? See media help.
"Antonín Dvořák, Serenade op.44, III Andante con moto
Performed by the Virtual Philharmonic Orchestra (Reinhold Behringer) with digital samples

Problems playing this file? See media help.
"Antonín Dvořák, Serenade op.44, IV Finale
Performed by the Virtual Philharmonic Orchestra (Reinhold Behringer) with digital samples

Problems playing this file? See media help.

The Serenade is written for two oboes, two clarinets, two bassoons and for three horns. The composer later added parts for cello and double bass to enhance the force of the bass line.[2] The double bassoon part was attached ad lib, since in Dvořák's time it was not easy to obtain this unusual instrument.[2]

In popular culture

An excerpt from the third movement is performed by a chamber ensemble in a scene from the film Iron Jawed Angels.

Selected recordings

Footnotes

  1. Burghauser, p. 37-38
  2. 1 2 3 sleevenote of the CD (SU 3776-2 011), p. 6

References

External links

This article is issued from Wikipedia - version of the 12/2/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.