Skinwalkers (novel)

This article is about the novel. For other uses, see Skin-walker.
Skinwalkers

First edition
Author Tony Hillerman
Cover artist Peter Thorpe
Country United States
Language English
Series Jim Chee / Joe Leaphorn Navajo Tribal Police Series
Genre Mystery
Published 1986 Harper & Row
Media type Print and audio
Pages 216
Awards 1988 Anthony Award for Best Novel
1987 Spur Award for Best Western Novel
ISBN 0-06-015695-3
OCLC 606031842
Preceded by The Ghostway
(1984)
Followed by A Thief of Time
(1988)

Skinwalkers is the seventh crime fiction novel in the Joe Leaphorn / Jim Chee Navajo Tribal Police series by author Tony Hillerman published in 1986. Skinwalkers was adapted for television for the PBS Mystery! series in 2002.

Murders are happening all over the huge reservation, and Lt. Leaphorn can see no pattern. Then someone makes an attempt on Jim Chee's life, and the two work together for the first time to solve these crimes.

The novel won two awards, the 1988 Anthony Award for Best Novel and the 1987 Spur Award for Best Western Novel. Reviews at the time of publication praised it highly: "Hillerman brings together his two series characters--middle-aged, cynical Lieut. Joe Leaphorn and young, mystical Officer Jim Chee--without in any way diminishing the stark power and somber integrity that have distinguished previous exploits of the Navajo Tribal Police." The writing is "is lively and extremely descriptive" and author Hillerman was "a master of character, scene, and plot". A New York Times review called this the breakout novel for Hillerman, when sales began to surge and recognition increased.[1]

Plot summary

Jim Chee wakes from restless sleep about 2:30 am, hearing the cat enter through the cat door into his trailer. When Chee is out of bed, three shotgun blasts come through the trailer wall over his bed, tearing apart his mattress instead of him. In daylight, he finds where a vehicle leaking oil had parked in the night and the footprints of a small person. This is added to the list of unsolved homicides facing Lt. Joe Leaphorn. Leaphorn asks that Chee be assigned full-time to aid him in solving the three homicides of Irma Onesalt, Dugai Endocheeney, and Wilson Sam, and to find who shot Chee. Capt. Largo agrees.

The first connection among these homicides comes when they learn that Endocheeney received a letter from the office where Irma Onesalt worked. Then Leaphorn learns of the list of people for whom she sought death dates, though some on the list were alive when she was posing her question. Leaphorn and Chee learn to communicate effectively with each other, as they pursue the investigation. Chee sleeps away from his trailer bed, fearing a repeat attack until the culprit is found. The next link among the cases is small bone beads, made from a long dead bovine. One was in the shotgun shells that entered Chee’s trailer; another in the knife wounds that killed Endocheeney; and one was found in Bistie's wallet when he was taken in for questioning.

Leaphorn and Chee go to Bistie’s home to talk again, after he was set free by public defender Janet Pete. No one is home, but there is evidence of someone recently dragged out of the hogan. As they follow tracks outdoors, someone shoots Leaphorn in his right arm. After he is taken to the hospital at Gallup, Chee and other officers follow the drag marks to find Bistie’s corpse, dead from two gunshots to the chest, likely from the same gun that hit Leaphorn’s arm. Chee observes a small mark above the bullet wounds on Bistie’s body, likely from a crystal gazer who made a cut and claimed to take bone from his body, telling Bistie it was from a skinwalker. They do not catch the shooter. Chee gets two letters. One is from Mary Landon saying she will not return to the reservation. The other is from a client for a Blessing Way ceremony, a pleasing prospect.

The belief or superstition of skinwalkers involves the skinwalker somewhat magically blowing a bit of bone into a victim, who will die unless the skinwalker is killed. Bistie’s daughter thinks her father had been trying to kill a skinwalker, to regain his own life, which would end soon by untreatable liver cancer. She did not call the public defender for her father. Janet Pete says Mr. Curtis Atcitty called her, but Bistie told her he knew no such man. Pete thinks this Atcitty used her to get Bistie out of jail both before he might talk to the police and so he could be killed. Another client, Irma Onesalt, was shot ten days after she approached Pete for help on her list.

Leaphorn learns from Shorty McGinnis that Wilson Sam had received a letter from Irma Onesalt about two months earlier, making enough links among the victims for Leaphorn. He brings Emma to the hospital for tests. Chee visits the Badwater Clinic, learning of the argument between Onesalt and Yellowhorse from Mrs. Billie at the desk. He then proceeds to his meeting at Dinebito Wash with Alice Yazzie to arrange the Blessing Way ceremony. Capt. Largo knows where Chee is; Leaphorn pursues him after learning that it is an empty home where the meeting is set up. Leaphorn meets Lenny Skeet in Piñon, where they both drive to the hogan. Chee realizes too late that he has been set up. A young mother shoots him in the back with her automatic shot gun as he runs. With the door of the hogan between them, she tells him he is a skinwalker who marked her baby for death. She tells him Dr. Yellowhorse told her Chee was a witch, a sorcerer. He tells her he is not. Lenny Skeet and Leaphorn arrive to find Chee barely alive in that hogan. They bring him to Badwater Clinic, where he murmurs Woman, Baby dying, before his treatment began.

Dr. Vigil tells Leaphorn that Emma has a brain tumor. Surgery will reveal its status, and tell the odds of her surviving the tumor, forcing him to accept hope again. Then the reason for the homicides falls into place, and he must get from Gallup to Badwater Clinic, because Dr. Yellowhorse, the man who wants to improve health of the Navajo people, will kill Chee. Yellowhorse assumed Chee would figure out his scheme as Irma Onesalt had. Yellowhorse was cheating by claiming reimbursements months after patients died at the clinic or went home healthy, so she had to be killed. Yellowhorse returns to the clinic and goes straight for Chee, both threatening Chee's life and confessing what he did. The woman, the grieving mother arrives next with her shotgun, and kills Yellowhorse, the skinwalker, just as Leaphorn arrives. Yellowhorse first arranged for men to be killed whose names were on Irma Onesalt’s list. Then he had her killed and next set the bereaved mother toward Chee. Agent Streib is already working on tracing the financial crimes. They guess he will not think to trace down which patients Yellowhorse persuaded to kill the four victims, as the mother attacked Chee, but that is okay, it is over.

Characters

Author's Note

Tony Hillerman says in the Author's Note to this book that his spelling (yataalii) is not the most common, which is hataalii. Badwater Wash, its clinic and trading post, as well as Short Mountain are all fictional places. A traditional Navajo hataalii might disapprove of Chee arranging a Blessing Way by letter, instead of a face-to-face request, or even practicing his sand painting out of doors, outside a hogan.

Reception

The novel was well received. Greg Herren, for Reviewing the Evidence, found that the "suspense gradually builds until the reader cannot help but turn the page, regardless of the time" stating that Hillerman is "a master of character, scene, and plot", concluding that "what makes Skinwalkers so outstanding, for me, is that it takes the reader inside the world of the Navajo reservation".[3] Alicia Karen Elkins, for Rambles magazine, stated that she "could not put this book down and read it completely in one sitting", finding that it "will keep you edge of your seat and amaze you with unexpected twists" and that "the writing is lively and extremely descriptive"; concluding "I highly recommend it for anyone with an interest in Native American folklore or culture".[4]

Kirkus Reviews finds this joining of two detectives does not diminish the series, and this novel has tautly orchestrated tensions:

When fictional sleuths from different series join forces, the effect is usually shallow and gimmicky--as in the many recent collaborations of Bill Pronzini, for instance. Here, however, Hillerman brings together his two series characters--middle-aged, cynical Lieut. Joe Leaphorn and young, mystical Officer Jim Chee--without in any way diminishing the stark power and somber integrity that have distinguished previous exploits of the Navajo Tribal Police. While Leaphorn is brooding about the three unsolved homicides in his district, an unknown assassin tries to kill Officer Chee some distance away. And the coincidence (or is it?) brings the two lawmen together, though at first Leaphorn is severely skeptical about Chee--because cops who get shot at are usually corrupt, because Chee's spiritual bent alienates the older, more worldly policeman. (There have even been complaints about Chee's shaman-izing--from the selfless doctor who heads a highly effective local clinic, mixing medicine with some pseudo-mysticism.) It soon becomes clear, however, that Chee's mystical knowledge is crucial to the investigation--since all the murder-victims turn out to be linked (in rumor, at least) to Indian witchcraft, to the fearsome practice of "skin-walking." And, before the very earthbound motive behind all the mayhem is revealed (not too hard to guess), Chee's tribal ambitions lead him into a near-fatal trap. . .while Leaphorn's concern over his wife's health (does she have Alzheimer's disease?) compounds his discomfort with the science/faith issues in the murder case. Haunting backgrounds, quietly disturbing incidents, tautly orchestrated tensions: another indelible Navajo-world imprint from the author of The Ghostway and People of Darkness.[5]

Deborah Stead, writing in the New York Times, called this the breakout novel for author Hillerman, in a review of the author and his books at the time of the release of novel following this one, A Thief of Time. She said that "despite a loyal following among mystery fans, book sales in the United States did not surge until The Skinwalkers," the first novel Hillerman wrote after quitting his university position to write full time, and which joined his two Navajo police officers, Joe Leaphorn and Jim Chee.[1]

Awards

The novel won the 1988 Anthony Award for "Best Novel".[6] It won the Spur Award from the Western Writers Association in 1987 for Best Western Novel.[7]

Adaptations

The novel was adapted for television in the 2002 film Skinwalkers, airing on PBS's series Mystery!.[8] The plot has some changes from the novel, as all the victims are medicine men. It was well received.[9] It gained the most viewers of any PBS show in 2002.[10] The film starred Adam Beach as Jim Chee and Wes Studi as Joe Leaphorn. It was the first of Mystery!'s American based stories.[11][12]

It took many years for everything to come together for the television adaptation. Robert Redford and his son James Redford bought the rights to the entire series of novels years before this film was made. In addition to their interest, there needed to be a venue. PBS made a choice to revamp its Mystery! series, seeking a story by an American writer and set in America. Robert Redford "acknowledges he was taken aback by how difficult it was to bring Hillerman's tales to the big screen "because of the perception of Native Americans not being commercial territory. Second, one couldn't see the larger picture of value of introducing two new characters who are fresh and audiences could adopt. They couldn't see that idea. It was very hard to convince people, so we lost a lot of years.""[13]

His son James Redford who "shares his dad's passion for the Southwest, wrote the first draft of the "Skinwalkers" script about eight years ago, and then another draft five or six years later. "In between, it was confronting the reality that getting an all-Native American cast financed above a certain budget was just really hard to do. We are not idiots about the commercial realities. But I think what happens is that we all identify what we are convinced is a sure-fire thing. It was a bestselling author and a mystery genre. But I was sort of surprised there was as much resistance.""[13]

References

  1. 1 2 Stead, Deborah (16 August 1988). "Tony Hillerman's Cross-Cultural Mystery Novels". New York Times. Retrieved 2 May 2016.
  2. Yurth, Cindy (May 17, 2012). "Experts: Eclipse a good test of cultural relevance". Guest column. Navajo Times. Retrieved July 19, 2014.
  3. Herren, Greg (February 2003). "Skinwalkers". Reviewing the Evidence, Reviews. Retrieved March 7, 2012.
  4. Elkins, Alicia Karen (August 2, 2003). "Tony Hillerman, Skinwalkers". Rambles Cultural Arts Magazine. Retrieved March 7, 2012.
  5. "Skinwalkers" (January 1, 1986 ed.). Kirkus Reviews. April 4, 2012. Retrieved July 22, 2014.
  6. "Bouchercon World Mystery Convention : Anthony Awards Nominees". Bouchercon.info. October 2, 2003. Retrieved March 7, 2012.
  7. "The Spur Awards 1954 - 2015". Western Writers Association. Retrieved April 28, 2015.
  8. "American Mystery! Specials". WGBH. 2003. Retrieved 16 April 2014.
  9. James, Caryn (November 22, 2002). "Television Review: Old Navajo Ways and New Meet in a Mystery". New York Times. Retrieved March 7, 2012.
  10. Jurkowitz, Mark (November 26, 2002). "Skinwalkers Steps Up". Boston Globe. Retrieved April 28, 2015.
  11. Huff, Richard (February 22, 2002). "Navajo police join 'Mystery'". New York Daily News. Retrieved March 7, 2012.
  12. Skinwalkers (2002) at the Internet Movie Database
  13. 1 2 King, Susan (November 17, 2002). "The bestseller they couldn't sell". Los Angeles Times. Retrieved April 28, 2015.
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