SuperBob

SuperBob
Directed by Jon Drever
Produced by Wayne Marc Godfrey
Robert Jones
Jon Drever
Written by William Bridges
Brett Goldstein
Story by Jon Drever
Starring
Cinematography Mattias Nyberg
Edited by Katie Bryer
Production
company
Distributed by Signature Entertainment (UK)
Release dates
  • 24 January 2015 (2015-01-24) (UK [1])
Running time
85 minutes

SuperBob is a British 2015 low-budget comedy film about a Peckham postman who develops superpowers after having been hit by a meteorite. The film premiered in London on 16 October 2015,[1] after having first been shown at the London Comedy Film Festival in January 2015[2][3] and the San Diego Film Festival in early October 2015.[1]

Plot

In 2008, an asteroid breaks into fragments under Jupiter's gravity, with one of the fragments landing in the Peckham district of London and hitting a man called Robert 'Bob' Kenner; a mild-mannered and socially awkward postman. Gaining Superman-like powers as a result of the meteorite, Bob initially tries to learn how to use his new powers alone - prompting media reports of a 'flying man' - but later hands himself in after an incident involving him crashing into the Shard. Eventually trained by the Ministry of Defence in using his powers, Bob (now known as 'SuperBob') becomes the world's first superhero, working for the MOD and the British Government as a 'civil servant'.

6 years later, Bob's boss Teresa Ford authorizes the creation of a documentary to show the public that SuperBob is a 'normal guy', as SuperBob's popularity is mixed with common complaints including his simplistic personality and him needing the people he rescues to sign several forms for the MOD. Bob himself is still living in Peckham with his mandatory security guard Barry and his cleaner Doris - who also works at the care home where Bob's mother lives and is trying to raise money for a nursery in Colombia. Bob explains to the camera crew that he gets a day off from work every Tuesday and reveals that he's going out for his first date in 6 years with a librarian called June.

While shopping for clothes with Doris for his date, Bob receives an emergency call from Teresa telling him to come in for a meeting; arguing with Doris after she points out he may miss his date with June. The meeting is a preparation for Bob to shake hands with American senator Bill Jackson, who is in London for the MOD Weapons Summit and who sees SuperBob as a 'dangerous weapon that Britain doesn't have control over' (although this is mostly part of a smear campaign after America failed to poach Bob from the UK a year previously). However, after talking to June and following Doris' advice, Bob finally stands up to Teresa and leaves to go on his date but is called away to the care home after his mother has an accident, with a misunderstanding causing Bob's mum (who has short-term memory loss) to think that he and Doris are now dating.

Wanting to keep his mum happy, the pair share a tender dance together at a care home celebration with it been clear there are some romantic feelings between them. However, June rings and – after confirming that they weren't standing each other up – Bob arranges for the pair to have dinner together at his house. After he and Doris leave the care home following an awkward conversation with one of Doris' friends, Bob overhears reports of a multi-car pileup and goes to help but is scolded by Teresa at the scene for not following her orders and for being seen working on his day off. Despite this, he openly disobeys her after he provides comfort to a fatality injured woman before her death. Upon returning home, Doris briefly provides comfort for Bob before leaving following June's arrival, with Bob and June having dinner together. Upon finding a note from Doris regarding a problem he had earlier, however, Bob decides not to continue with the date as he openly reveals to June that he wants to be with Doris.

The date is brought to a sudden stop when Bob and June are brought to the MOD for the Weapons Summit, with June revealing Teresa stopped her from going to lunch with him and that while June does like him, Teresa and the MOD want Bob to be with June rather then Doris due to June been American. However, upon shaking hands with Senator Jackson he learns that the US government has paid for a nursery for Doris and is sending her away, with Bob reacting angrily at being manipulated before smashing through the roof of the MOD building and flying off to search for Doris – invoking a worldwide manhunt for him with sightings in several locations around the world.

Bob eventually finds Doris in the care home, with local residents forming a barrier to prevent the police from entering as Bob and Doris manage to express their feelings for each other and Bob convinces her to go to Columbia with him to follow her dream of working with children. Explaining to the crowds and to the media that he's resigning from the MOD and going freelance, Bob declares he is no longer a civil servant or the property of the UK and gives his number for people to call if they need help. After bidding goodbye to Teresa and his mother, Bob flies off into the night with Doris.

In the documentary's epilogue, Bob, Doris and Barry have relocated to Columbia with Bob and Doris now in a relationship and Bob continuing to work as a superhero, people's views on SuperBob have become more positive, Teresa has been reassigned to Afghanistan and scientists are shown to have been examining the meteorite remains in the hope of finding the source of Superbob's powers, but admit they haven't found anything in the 6 years they've been working on it.

Main cast

Production

Based on an idea by director Jon Drever, the film quickly became a joint project between Drever, writer William Bridges and comedian Brett Goldstein, who stars as SuperBob and also co-wrote the script. Initially intended as a short film, it eventually turned into a feature film once they managed to get Catherine Tate onboard. The film was shot entirely in Peckham in 19 days.[4][5]

Reception

The film received four stars from reviewer Chris Hewitt in Empire, who write: "By keeping the lid on effects that would be laughed out of Marvel, and focusing instead on a low-key story of the world’s most powerful man on his day off, Jon Drever and Brett Goldstein’s movie taps into the same reserves of warmth and heart that made Shaun Of The Dead soar."[6]

Wendy Ide in The Guardian was less enthusiastic, finding that, "The film shares some thematic similarities with James Gunn’s vigilante nerd picture Super; however, the unfocused, sentimental approach of SuperBob is in stark contrast to the savage edge that made Super such a malicious pleasure."[7]

References

External links


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