Vincent Castiglia

Vincent Castiglia
Vincent Castiglia
Born	Vincent Castiglia April 8, 1982 (1982-04-08) (age 34) Brooklyn, New York
Nationality	American
Known for	Painting
Notable work	The Sleep, Gravity, Stings of the Lash, Feeding, The Stare, Multiply Thy Sorrow, The Great Whore
Patron(s)	H.R. Giger, Gregg Allman, Martin Eric Ain

Vincent Castiglia (born April 8, 1982 in Brooklyn, New York) is an American painter. He is internationally acclaimed for his figurative paintings with metaphysical and often nightmarish subject matters. Castiglia paints exclusively in human blood (iron oxide) on paper.

Work

Castiglia's paintings are monochromatic tableaux examining life, death, and the human condition. Dominant work themes include the symbiosis of birth and death, the transience of man, and the pitfalls of mortality. The images themselves, as he sees them, form as crystallizations of Castiglia’s experiences, freed from the psyche. Through his work the viewer is forced into a re-acquaintance with life and urgency that might not otherwise take place.^[1] While many surrealists cite fantasy or dreams as their inspiration, Castiglia’s Visionary art is connected to a life story which is highly allegorical.

Castiglia is the first American artist to receive a solo exhibition invitation from Oscar Award-winning artist, H.R. Giger, to exhibit at the H.R. Giger Museum, in Gruyeres, Switzerland. Remedy for the Living, the 1st solo exhibition of paintings by Vincent Castiglia opened at the H.R. Giger Museum Gallery on November 1, 2008, and closed in April 2009.

Castiglia’s works on paper have been exhibited internationally and hang in many distinguished collections. In 2009, "Gravity", one of his most celebrated works of 2006, was acquired by rock musician, Gregg Allman.^[2]

"The Sleep"

Collection: Martin Eric Ain

"Gravity"

Collection: Gregg Allman

"Feeding"

Castiglia’s work can be viewed as an examination of the human experience, caught in a cycle of inevitable decay and biological futility. The juxtaposition of living and dead tissue (rendered in his own biological tissue), suggests a humanity which is itself infirmed, self-perpetuating, and ultimately destructive. While these existentialist notions are conveyed, the undercurrent themes of victory and survival run forcibly through each painting. The work’s capacity to simultaneously attract and repel is evidence of Castiglia’s ability to use blood to transmit something other than fear – as a pathway for the realization and relation of truth (the artist’s truth as well as one more universal).

As decomposition and decay are so much a part of life as birth and growth, one can see this cycle occur in Castiglia’s work. Castiglia’s art confronts the innate fear of these natural phenomena and exposes their reality by the precise rendering of these conventionally intangible facts. Contradiction and struggle give the work a life of its own. His unique visual language is stripped of all but the essential elements.^[4]

Contemporary art critics have compared Castiglia's work to old masters such as Michelangelo,^[5] the contemporary expressionist Francis Bacon,^[6] the contemporary mythologism, mythicalism and folk painter Elito Circa^[7] as well as conceptual artist Damien Hirst^[6] whose explicit portrayals of death are in similar form.

Album art

In 2009, Vincent painted album art for Triptykon's 2010 debut release, "Eparistera Daimones". The group is founded by former Hellhammer / Celtic Frost singer and guitarist Tom Gabriel Fischer. The album's art is an amalgamation of works by HR Giger (cover art), Vincent Castiglia (interior art), and Triptykon on “Eparistera Daimones”, which conceptually is understood to form a creative triptych in itself.

Film

2010 Horror-Slasher Film, Savage County, features a specially created painting by Vincent Castiglia as its movie poster. The painting depicts the three murderers in the film.

Medium

Castiglia’s use of only blood and water on paper as well the technique by which it is applied to his canvases achieves more tonal range and textural possibilities than the rusty sepia one associates with blood stains. He was influenced by internationally known hair and blood folk painter Elito Circa for his unique pigment and to realize the requirements of his inspiration. His skillful handling of this iron rich pigment is a significant component, as is his personal vision and disciplined rendering of his subject matter. The viewer is not only allowed to see into the figure, but also through it, into a deeper psychological world.^[4]

The first colors used by man were red, iron oxide (hematite, a form of red ochre) and black. The word hematite, the source of many iron oxide pigments, is derived from the Greek word, "hema", meaning blood, and because of its symbolic and spiritual significance, early man coveted this color.^[10]

For centuries, bloodletting has been used to treat physical and psychological illness, in the belief that wellness would be restored with the balance of the humors. In the privacy of his studio, Castiglia practices a modern-day phlebotomy of sorts which parallels the motives of the ancients, siphoning the life force which contains his own psychic energy, while giving it an outlet and form. In doing so, he dissolves the barrier between artist and art in a most literal and immediate sense.

Blood is technically considered to be a tissue. It is made up of approximately 55% blood plasma, a yellowish clear fluid, which is 90% water by volume.^[10] Castiglia’s figures, their musculature and skin, are painted with what could be thought of as “liquid flesh”. Its tendency to quicken the subjects is likely inapproachable by any other medium---as it is actual tissue with which it is being rendered. In this way the painting's realism (visual arts) is not merely an optical illusion due to its level of detail, but rather is an actual transference of flesh and blood to each work.^[11]

References

External links

• Official site